Friday, March 20, 2009

Days Of Our LIves - 1978


Thankfully, the resort where Larry had Doug railroaded into a drug charge decided to drop charges, and Doug was able to return to Salem in time for the hearing in front of the Alcohol Control Board! But what's this? Larry has tampered with Doug's chances there, also! The strong point in Doug's defense for the return of his liquor license was to be top-notch character witnesses; and Larry finds out just who those witnesses are, and does what he can to prevent them for speaking up in Doug's defense! Neil was one of them, and Larry succeeds in getting him stone drunk and unable to testify. Later, a bewildered Neil, just coming out of his stupor, cannot figure out what happened! When Mary hears Neil's story, she advises him to tell Doug right away. Doug is concerned and interested; but Julie, who feels betrayed, refuses to hear his story. Later, when Doug and Julie discuss the recent events, he is appalled to hear that Julie has been confiding so much in Larry! Doug tells Julie that Larry is unscrupulous and cannot be trusted; but she staunchly defends the man! She is also upset at Doug's revelation that he plans to take a job singing on a Caribbean cruise! She softens somewhat when he asks her and Hope to come with him; but then she must refuse, as she doesn't feel Robert can handle the club without her.

BILL MOVES OUT!

And Bill has moved out of his home and into the Salem Inn! He was spending so much time after work with Kate Winograd -- taking her to dinner, sharing cozy dinners at her place, giving her an expensive locket and trying to kiss her -- that poor Laura finally exploded one day when Bill had the nerve to accuse her of spending too much time with Mickey! Indeed, Laura only spent time talking with Mickey because everytime Mickey called Bill to discuss the case, he was never home -- he was always at Kate's! Finally, Laura -- hurt and bewildered by her husband's turning away from her and to Kate -- tells Bill he may as well live with Kate! So now Bill lives at the Inn and spends all his free time with Kate! Alice walked in on Bill when he was packing his bags and tried to persuade him otherwise, but to no avail. Later, a distraught Laura pours out her marital state of affairs to Mickey; and the wayward Bill is confronted by both Mickey and the patriarch Tom Horton. As for Mickey, Bill tells him quite bluntly and sarcastically to mind his own business, and he'll mind his (and that includes Kate!) -- but the elderly Tom doesn't give Bill a chance to back out; and instead of confronting him directly, sets up a surprise meeting for Bill and Laura together to give them a chance to work things out. Well, the couple talk to one another, but it again ends in a stalemate over his closeness to Kate, and nothing is resolved.

KATE RESIGNS!

Later, Kate goes to see Laura in her office to assure her that there is not now -- and never has been -- anything between her and Bill. Such a "confession" should set Laura's mind at ease, but it doesn't. (Indeed, why did Kate not tell Laura of the locket Bill gave her and the time he tried to kiss her?) In fact, before Kate leaves Laura's office, Laura quite bluntly says that Kate is in love with Bill!

Laura must have hit on the truth with that statement for, without talking to Bill, Laura resigns from the clinic! Bill is upset when he finds out, and goes directly to Kate's home. She tries not to let him in, but in the end she surrenders. She. tells him about her meeting with Laura; and her accusation that she (Kate) is in love with Bill. Such words seem to be what Bill wants to hear, and he pointedly asks Kate if she is indeed in love with him! She won't say yes, but her agitated demeanor makes it obvious. She finally asks Bill to leave, and he does, but only with the promise that he'll be back.

And what of Mickey and Maggie's marriage? A distraught Maggie seeks Alice for comfort. Maggie is afraid that with all the time Mickey (who was once married to Laura) spends consoling Laura; the two will be thrown together just like Bill and Kate! And then where will Maggie be?

And Linda has finally dragged a marriage proposal out of Bob! When he returns from his L.A. business trip and his bout with an undetermined illness, he realizes more than ever how indispenable, in so many ways, she is to him. Still, (and much to Linda's dismay) Bob wants to hold off on any wedding plans till Tom can determine exactly what state his health is in, as Bob doesn't think it would be fair for a young, vivacious woman to be saddled with an older, sickly man. Linda assures him that she loves him and wants only to take care of him; but Bob is adamant in his decision.

And the romance between Don and Marlena seems terrific except for two minor problems: when Don campaigns in conservative towns, he and Marlena must book separate hotel rooms; and whatever are they going to do with that vicious gossip reporter Arlena? Arlena has dragged out the whole sordid story concerning Sam!

TABLES TURNING?

Julie has fired Arlo, the contact Larry had working as a busboy at Doug's Place to spy for him! When Larry finds out that Arlo has been fired, he angrily tells the man that he failed in his mission and is no longer any good to him. He tells Arlo to leave town. Arlo is angry and fights back. He tells Larry that Larry had promised him a future with the "company" and he refuses to be run out of town just because some lousy spy job backfired! Larry refuses.to be intimidated, and again insists that Arlo leave town. Arlo gets tough then, reminding Larry that right now he has the upper hand, not Larry! He warns Larry that unless he gives him a place in the "company" he will go to the police with everything he knows about Larry's dirty dealings concerning Doug!

But Larry has more dirty dealings in store for young Arlo! As Arlo leaves The Pines, Larry has one of his men give him quite a roughing up! The young man, bloodied and barely conscious, is able to stagger through the woods to Mary's cabin! Indeed, Mary and Chris are enjoying quite a romantic interlude when this poor soul literally falIs into their living room, collapsing into a state of near unconsciousness! The two call Neil, who attends to Arlo until an ambulance arrives. Will Arlo survive? Will he tell all about Larry's tampering with the Alcohol Control Board?

Larry, meantime, thinking he has shut Arlo up for good, enjoys an evening with Geri .. . But surely Larry's mind cannot be totally at ease when she asks who that young man (Arlo!) was he talking to so secretively.

Linda, meantime, is in a bit of a quandry. She has gotten Bob to the point where his feelings tell him to marry her, but his head says no! And that is all because of his illness in Los Angeles.. Now, he tells the frustrated gold-digger, he cannot many her until he gets a good bill of health ! He tells her he doesn't want to be a burden! Linda, meanwhile, tells him she loves him and wants to marry him, and that means to take care of him, too, when necessary. Finally, in exasperation, she even hints that possibly he doesn't want to marry her because of his disastrous marriage to Julie. That innuendo upsets Bob, and he embraces Linda, passionately kissing those thoughts away . . . And later, when Bob tells Linda he has decided to make her his chief executive administrator, she is very happy -- until Bob tells her that young David Banning will be her assistant, as he wants to groom him for an executive position!

ELEVATOR INTRIGUE!

Don, meantime, is upset at Jim Bradley because Jim privately persuaded Marlena not to accompany Don on his campaign swing through Medford, a conservative small town. And Don is more upset when, continually unable to reach Marlena by phone, he ultimately finds out that the poor woman has spent half the night stuck in an elevator with Fred! It seems that Jean walked out on Fred again, and Marlena was trying to help the situation. Odd as it seems, being stuck in an elevator did help Fred's situation! Marlena was able to get him to relate -- and in doing so she, found out that Fred's childhood was a nightmare, where his father beat both his mother and him! Oh, Fred had his bid moments in the elevator (took a couple of swinqs at Marlena!) but basically, it was a therapeutic time of delving into his inner self and why he treats women the way he does

Luckily, however, between Don's frantic phone calls to Marlena's answering service and to Amanda and Greg as to the whereabouts of Marlena, Greg finds the two, rescues them, and, before the night is out, Marlena is snuggling safely in Don's loving arms (he drove all the way back from Medford to Salem in the middle of the night)!

Mickey and Maggie, meantime, are also quite cozily involved with one another as they spend some time together down on the farm. Despite their loving time together, however, Maggie still cannot drive away her doubts about Mickey and what his feelings for Laura are now that Bill has left her.

TROUBLE FOR DOUG & JULIE?

Arlo was placed in the hospital under Neil's care, and seemed on the verge of telling all about the whole Larry Atwood mess; until a cryptic and threatening call from Larry frightens Arlo into fleeing! Where will he go -- and what will he tell?

Doug, meantime (and much to Julie's dismay) accepted a singing gig on a Caribbean cruise! To dry her tears, however, Doug suggested that Julie come along and leave Robert in charge, of Doug's Place! Julie finally agrees, and goes on a shopping spree for beautiful vacation clothes, when Neil is forced to bring Doug and Julie some bad news: Robert is laid up in the hospital with a bad case of pneumonia! A disappointed Julie now must forego the cruise to take charge at the club, and it saddens her that Doug still leaves for the cruise. She cannot understand why he insists on taking these obscure singing engagements -- they certainly don't need the money! Is this marriage in for some hard times due to the strain of legal problems concerning the Alcohol Control Board? Julie grows more and more hurt and frustrated with each out of town job Doug takes; and, across town, despite Jeri making no secrets about being head over heels in love with Larry Atwood (she has a key to his apartment and has taken it upon herself to fix him homecooked meals, despite his discomfort over her getting too involved); Larry finds his romantic thoughts and desires turning more and more to Julie!

Mickey, meantime, is upset when he walks into his office for a scheduled meeting with Kate and Bill -- and finds Bill caressing Kate's cheeks and neck!, And perhaps Maggie's fear that Bill turning to Kate will cause a hurt Laura to turn to Mickey is justified? Indeed, a distraught Laura went to Mickey's office, and, unable to contain herself any longer, burst into tears -- and into Mickey's arms! And who should walk in just then but Maggie! Later, Maggie voices her fear to Mickey, and he tries to reassure her that such fear is unfounded -- but is it? In an ex-lover's arms, is it unrealistic to believe that consolation could turn to passion?

David, meantime, has found a certain solace in the company of Chris and Mary! David dislikes Linda to begin with, and, now that he's her, assistant, she is treating him like a mere messenger! In fact, she has even suggested to Bob that he be transferred to one of their smaller, out of town branches!

And Fred can walk! He is afraid to let anyone know, however, as then his malpractice suit would be down the drain, with no chance of winning any money. But if he doesn't make an effort to get help -- physically and psychologically -- it is doubtful Jean and Billy, whom he loves dearly, will return to him. What will he do? Rick Stevens is back in town to tell what really happened that fateful day -- will Fred, also, come clean?

The case against Bill and Kate finally comes to trial -- only to have it begin and end all in one day! Evidently, the soul-searching time he spent in the elevator with Marlena had quite an impact on Fred! In the middle of the trial, he finally realizes that Jean and Billy mean much more to him than a fraudulently acquired million dollars; so, in a dramatic moment, he simply rises to his feet from his wheelchair and confronts the judge!

With Fred no longer incapacitated, the judge immediately throws out the case -- and everyone (especially Fred!) -- is happy! Fred and Jean embrace (this is a new beginning for them!); and Laura, who came to watch, longs to embrace Bill, but instead she rushes out in tears! For her husband turns to embrace Kate.

While a distraught Laura sits home alone by the fire, Mickey and Bill go to Kate's apartment to celebrate with a glass of wine. Upon finishing his drink, Mickey gets up to leave, and quite pointedly asks Bill if he is leaving. Bill makes it quite obvious that he prefers to stay, so a disgusted Mickey leaves alone. Kate however, spurning Bill's amorous advances says she will not become involved with a married man!

It is obvious, however, that she has the same feelings for Bill that he has for her, for she cannot stop herself from submitting -- and retuming -- his passionate kiss! She finally breaks it off, however, and forces him to leave! She says goodbye -- for good, she says -- but Bill will only say goodnight . . .

Mickey, meantime, has gone to console Laura! Laura, however, doesn't want consolation. She has been hurt so badly, she is not even sure she wants Bill back! But Laura knows that a man belongs with his wife, so Laura, drying her tears, sends a reluctant Mickey home to Maggie .

And who should be spending a cozy late-night supper in another man's apartment while her husband is away? Larry has lured Julie into having a late dinner with him at his place . . .

Thursday, March 12, 2009

Another World - 1982 Cast List













George Bamford - Sgt Hawkins

Richard Bekins - Jamie Frame

Anne Rose Brooks - Diana Frame

Gail Brown - Clarice Ewing

Danielle J Burns - Nancy McGowan

Warren Burton - Jason Dunlap

Reggie Rock Bythewood - RJ Morgan

David Canary - Steven Frame

Robert Christian - Bob Morgan

Irene Dailey - Liz Matthews

Jiri Fisher - Capek

Clebert Ford - Steamer

Constance Ford - Ada Hobson

Nancy Frangione - Cecile DePoulignac

Carmine Gray - Cory Ewing

Paul Hecht - Nikolai Pirenko

James Horan - Denny Hobson

Dana Klaboe - Amanda Cory

Cleavon Little - Captain Hancock

Maeve McGuire - Elena DePoulignac

Laura Malone - Blaine Ewing

Chris Marcantel - Pete Shea

hugh Marlowe - Jim Matthews

Ben Masters - Vic Strang

Christian Maurice - Matthew Blake

Anne Meacham - Louise Brooks

Joanna Merlin - Emily Cole

Mary-Joan Negro - Anne Whitelaw

Sean O'Connor - Deke Peters

Petronia Paley - Quinn Harding

Roy Poole - Mayor Stein

Richard J Porter - Larry Ewing

Ed Power - Harry Shea

Christopher Rich - Sandy Cory

Howard Rollins - Ed Harding

Jennifer Runyon - Sally Frame

Michelle Shay - Henrietta Morgan

David Snell - Mark

Barry Snider - Joe Masterson -

Sheila Spencer - Thomasina

Paul Stevens - Brian Bancroft

Tracy Brooks Swope - Christine Wylie

John Tillinger - Leonard Brooks

Douglass Watson - Mackenzie Cory

Victoria Wyndham - Rachel Cory

Louis Zorich - Milo Simonelli

Tuesday, March 10, 2009

Search For Tomorrow - New York Times Article



AT 35, SOAP OPERA 'SEARCH' TRIES TO ADJUST TO CHANGES

By JOHN J. O'CONNOR
Published: September 3, 1986

THIRTY-FIVE years ago today, in a 15-minute live broadcast from New York's Liederkranz Hall, ''Search for Tomorrow'' set out to make soap-opera history. It is now television's longest-running daytime drama, hardly missing a beat when it switched from CBS to NBC in 1982. The show's pivotal character is Joanne Tourneur, played by Mary Stuart since that very first day. Her neighbor and best friend is Stu Bergman, still portrayed by Larry Haines, who joined the cast two months after the premiere. In today's half-hour episode, on NBC at 12:30 P.M., Jo and Stu will browse nostalgically through an old photo album, offering viewers a well-intentioned but skimpy retrospective of ''landmark'' moments.
Arriving at Jo's place, already decorated for a party, Stu announces that his new girlfriend Wilma (Anita Gillette) seems to have fallen for another man. ''We've been through a lot together,'' says Jo sympathetically. They sure have. Stu's last wife, for instance, ran off with a flaky cook. Worse, early on in the serial, a son named Jimmy excused himself to take a nap and was never heard from again. Meanwhile, Jo has gone through several marriages and the progression of her husbands' last names - Barron, Tate, Vincente, Tourneur - is seen by some as a reflection of ethnic awareness in soap-opera's land of nondescripts. Her last mate was disposed of through a divorce, something that would have been unthinkable back in 1951.
''Search for Tomorrow'' began life as, in the words of a press release, ''the story of an American family dominated by the 'old-fashioned' elders, successful and secure.'' Like all of its successors and imitators, the show offered viewers, predominantly women, an enduring image of a tightly knit community at a time when such communities were fast disappearing. The serial, produced by Procter & Gamble, focuses on personal relationships while studiously avoiding more of the unpleasant sociological and political realities of the ''real'' world.
While basic soap-opera formulas have remained remarkably steady -aberrant behavior is still punished, amnesia is still rampant as a device for getting out of dead-end plot situations - the surfaces have been changing dramatically. The younger characters have been taking over, and are regularly seen in various stages of undress that evidently help the ratings. The traditional soaps were jolted out of their endemic propriety in the early 1970's by ''The Young and the Restless,'' which offered the kind of plots and characters that ad executives now like to call ''juicy.''
Trying to adjust to the new ways, ''Search for Tomorrow'' has been floundering in the ratings and has undergone a succession of changes in the hands of several executive producers. The latest, David Lawrence, is clearly embarked on a make-or-break policy. Last February, the show's fictional town of Henderson was hit by a flood that served as an excuse to order up completely new sets, the main one being a high-rise building with a nightclub and a roof-garden exercise area where the camera can catch the actors toning up their assorted muscles. New clothes and hair arrangements were ordered to make the women softer and the men more stylish. Mr. Lawrence wants glamour, and today on television that means a designer wardrobe with plenty of jewelry.
More significantly, the serial's focus will now be dominated by the McCleary brothers, Hogan (David Forsyth), Quinn (Jeff Meek) and Cagney (Matthew Ashford). All three are what the trade calls ''TV hunks,'' capable of triggering endless romantic complications. Somehow, they also manage to represent different social classes. Hogan is a sophisticated and well-off bachelor. Cagney, the youngest, is a working-class policeman with a family to support. Later this month, the show will be filmed in Ireland to discover some unsettling secrets about the McCleary family. Taking a cue from other soaps going on location, Mr. Lawrence believes it is important to give his audience an ''exotic change of scenery.''
Meanwhile, this morning, Jo and Stu will chuckle warmly about the past even as their own futures on the program seem undecided. But no matter how many shenanigans are devised for the younger folk, Jo and Stu will be needed to put everything in a perspective that is unfailingly comforting. Today, Stu puts his arm around his old friend and says, ''Love is not like it is in the movies, is it?'' No, says Jo, sadly but gamely, ''not when it's happening to you.'' That is precisely the kind of sweet babble that could keep ''Search for Tomorrow'' going for another 35 years.

Monday, March 9, 2009

Santa Barbara


It is 1979 in the beautiful coastal town of Santa Barbara, CA and a party is being held at the mansion of C.C. Capwell in honor of his eldest son, Channing, Jr. Lured by a mysterious note, Channing enters his father's study where he is shot and killed! Now, five years later, another party is in progress at the Capwells', this time to celebrate the engagement of C.C.'s daughter Kelly to Peter Flint. But everyone is suddenly thrown by the news that Joe Perkins, the man convicted of Channing's murder, is being released from San Quentin today and is coming home. Deeply affected is Kelly -- five years ago, she was involved with Joe! Upset by the news, C.C. lets Peter and Kelly use his private helicopter so they can retreat to a nearby island for a few days. C.C. then offers his future son-in-law a position at Capwell Enterprises...

Back at San Quentin, two thugs try and stop Joe from boarding the bus for Santa Barbara, but a hot-headed Perkins gets on anyway, unaware that someone clearly up to no good is following the bus in a car.

When Santana Andrade, whose parents are employed at the Capwell mansion, learns of Joe's homecoming, she steals a gun from C.C.'s collection, then heads for the bus depot. Also waiting for Joe is his sister, Jade, and mother, Marissa. But their joy is marred by Joe's father, John, who refuses to accompany his family to the station. Meanwhile, a mysterious woman, sitting in a steam bath, is furious to learn of Joe's release and orders the driver of the car following his bus to "do whatever it take" to keep Perkins from coming home. As Joe's bus pulls in, Kelly and Peter happily depart for their vacation.

Rosa Andrade, sensing that her daughter Santana is headed for trouble, follows her to the bus station, and is horrified to see Santana pull a gun! Luckily, Mason Capwell, Kelly's older brother, wrestles the weapon out of her hands. Santana breaks down -- she would never have used the gun, she assures him.

As Jade and Marissa happily take Joe home, the mysterious woman from the spa, upset to see that Perkins has arrived safely, watches the family from afar. Meanwhile, C.C. visits John Perkins and charmingly "suggests" that he should encourage her son to leave town. When Joe arrives home, he is heartbroken over his father's coldness, realizing that John believes he's a murderer.

A Confession

Alone with her mother, Santana confesses the reason for her hatred of Channing's killer -- she and Channing were lovers, and she had his son! Santana explains that when C.C. found out, he forced her to give up her child. Shocked, Rosa confronts C.C., who insists he did what he thought was best. Later, Santana also visits Capwell. "With or without your help," she informs him, "I'm going to find my son!" After she leaves, C.C. makes a mysterious phone call and asks about his grandson, Brandon.

Santana has other problems as well -- Mason has informed her that she may be in serious trouble since she didn't have a gun permit. Not sure if she can trust the wily young attorney, Santana warily agrees to invite him over for breakfast to discuss her "case." Mason does indeed have an ulterior motive for meeting with Santana -- he can't wait to get her into bed! Missing his chance to maneuver Santana into the bedroom, Mason then invites himself to dinner. But when Santana learns from an attorney friend that there has been no inquiry regarding the incident at the bus station, she gets even with Capwell -- by serving him hot chili for supper!

Santana's brother, Danny, is very attracted to Jade Perkins, as is Warren Lockridge. Jade, enjoying their rivalry, is impressed by Danny's hang-gliding stunt as is a casting director, who offers Andrade a part in his movie! Wanting a role in the film herself, Jade plays up to both Danny and the casting director. After his father, Ruben, reluctantly gives his approval, Danny heads for Hollywood...

Dannys' friend, Ted Capwell, likes shy young Laken Lockridge, Warren's sister. But Laken, knowing her family has a long-standing grudge against the Capwells, is afraid to bring him around the house. When Laken's mother, Augusta, learns that Ted is a Capwell, she grounds her daughter, much to the disapproval of her mother-in-law Minx.

Upon learning that Kelly is now engaged to another man, Joe knows he must see her and get at the truth. Marissa warns her son to stay away from Kelly -- after all, it was Kelly who betrayed him on the witness stand! Undeterred, Perkins visits C.C. and insists that he's innocent of Channing's murder. C.C.'s response is to throw him out. Meanwhile, Kelly, unable to keep her mind off Joe, asks Peter to take her home. As a lonely Joe idly waits on the breakwater for Kelly's return, the Capwell yacht comes into view.

Suddenly, C.C. and two goons appear and warn Perkins to leave town. But Joe intends to remain in Santa Barbara and clear his name. At Capwell's orders, the thugs throw Joe into the water. Back at the Perkins', a bomb suddenly explodes while Marisa is cleaning! Luckily, Marisa is unhurt, but Joe knows the bomb was meant as a warning for him. Perkins is even more confused when a stranger, face in shadows, offers to help Joe find Channing's real killer.

Later, Augusta Lockridge, a glamorous older woman, makes Joe's acquaintance and gets him to pour out his life story. A sympathetic Augusta advises the young man to leave town. Just then Perkins receives a note and rushes off to meet the stranger, Dominic, who warns him Augusta is not to be trusted!

Ensconced in his new offices at Capwell Enterprises, Peter receives a visit from Joe who accuses him of the bombing. Peter denies the charge and an argument ensues. "Hit me!" Flint taunts, knowing Perkins could lose his parole. But Joe abruptly leaves. Later, he follows Peter and Kelly to C.C.'s yacht, then, disguising his voice, calls Flint and gets him to leave the boat. Finally boarding the yacht. Joe enters Kelly's cabin, where he reaches out to touch his former love -- the first time in five years he's been face to face with her.